在線觀看百度云播劇情簡(jiǎn)介副標(biāo)題: Du jour au lendemain
這部類型分別為：喜劇片(xijupian)
如果你也喜歡電影,并且愛看類型是從今天到明天,nbergoperafrom1929,FromTodayUntilTomorrowexploresonenightinanot,quitelovelessmarriage.Ahusban的作品的話一定不要錯(cuò)過(guò)
導(dǎo)演: 達(dá)尼埃爾·于伊耶,讓-馬里·斯特勞布
編劇: 暫時(shí)保密
今天給分享的影視作品主要是達(dá)尼埃爾·于伊耶,讓-馬里·斯特勞布導(dǎo)演,還有老戲骨暫時(shí)沒用公布由1997年上映。
目前暫定上映地區(qū)為法國(guó),主要的受眾語(yǔ)言其它
主要講述了:
Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.
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